#POMFORT SILVERSTACK CRACK FULL#
The image got closer to correct, but went too far this Full to Legal LUT is too washed out.
Using Lattice, I tried (knowing that chances were the conversion would not be quite correct) to apply a a Full to Legal conversion to the Show LUT. (Without going in to all the details of how everything was tested, I know the issue is not the DP’s monitor and not my monitors.) If I set my LUT boxes as Legal to Extended, what I see matches what the DP sees, but does NOT match the footage as it heads through the Dailies pipeline. My LUT boxes are set up as Legal to Legal, and this matches the look of the footage through the dailies pipeline.
#POMFORT SILVERSTACK CRACK SOFTWARE#
I’ve compared the feeds, as well as applying the LUT onto footage after the fact through software and ignoring all the hardware in question, and have determined that the Teradek is taking a Legal signal in, applying the LUT, and then converting to Extended before output, making the image more contrasty than it should be. Here’s the problem: It’s the same LUT, but it’s not being applied correctly when it is applied by the Teradek Receiver. The receiver on the DP’s monitor applies the exact same Show LUT (I copied it over myself) that I am applying on my cart. At the same time, to streamline set and have less cables running back and forth, we have a separate Teradek receiver on the DP’s monitor. We are not doing much actual live grading, so it’s usually just the LUT, and that’s it. There, I apply a Show LUT that we created, and that signal goes out to video village. One receiver comes to my DIT cart, where I have BoxIO LUT boxes being managed by Pomfort LiveGrade. The scenario is this: working on set, we have 2 Alexas transmitting via Trade Bolt (a 3000, and a 2000). Also, might not be the exact right place to put this question, but it's the best I could find.